A cold, calculating, highly-successful single lawyer is forced into the body of a lower middle-class, unemployed, married woman with two children. Hilarity and romance ensue.
That, in two sentences, is the plot of Wonderful Nightmare, a 2015 South Korean romantic comedy film that was featured on the final night of the 2015 New York City Korean Film Festival in Astoria, New York. If you’ve heard of that plot before, it’s probably because you remember Nicolas Cage’s 2000 movie Family Man.
Any review of what is essentially a remake of a movie doesn’t have to turn on originality so much as execution of the story. And, for the most part, Wonderful Nightmare does exactly that, turning a thoroughly unlikable lead character Yeon-woo (Uhm Jung-hwa) until a more humbled version of herself by the end of the film. As in the tradition of Korean films, director Kang Hyo-jin throws in several plot twists designed to wrench the heart and bring tears to the audience’s eyes. Continue reading “Review: Wonderful Nightmare”